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Early next morning the man set out to hunt, and as soon as he was out of sight his wives went up on top of the butte where he used to sit. There they dug a deep hole and covered it over with light sticks and grass and earth, so that it looked like the other soil near by, and placed the buffalo skull on the sticks which covered the hole. Naturally an early riser, Mona slips noiselessly from her bed, lest she shall wake Geoffrey,—who is still sleeping the sleep of the just,—and, going into his dressing-room, jumps into his bath, leaving hers for him. For many days he had not known "that his heart was darkened with her shadow." Only yesterday he might perhaps have denied his love for her, so strange, so uncertain, so undreamt of, is the dawning of a first great attachment. One looks upon the object that attracts, and finds the deepest joy in looking, yet hardly realizes the great truth that she has become part of one's being, not to be eradicated until death or change come to the rescue..
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But Mona in such a case as this prefers being "taken in" (though she may object to the phrase), and in process of time grows positively fond of Lady Rodney. Here she turns and looks him full in the face; and something—it may be in the melancholy of his expression—so amuses her that (laughter being as natural to her lips as perfume to a flower) she breaks into a sunny smile, and holds out to him her hand in token of amity. "It is like the garden of the palace where the Sleeping Beauty dwelt," whispers Mona to Nolly; she is delighted, charmed, lost in admiration. "Mona," says Geoffrey, to her suddenly, in a low whisper, throwing his arm round her (they are driving home, alone in the small night-brougham)—"Mona, do you know what you have done to-night? The whole room went mad about you. They would talk of no one else. Do not let them turn your head.".
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